1. Article 12
Roles: Dir. / Prod. / Ed.
Bertha Foundation produced documentary nominated at Locarno International Film Festival on surveillance and digital rights.
Filmmaker · Founder
Short Film · Fiction · 2026 — Dir. · Writer · Ed.
A pirate broadcast that never aired. A commander in aviator sunglasses interrupts the evening news to tell a country it has been sold, port by port, field by field, while it watched the football. It opens on the soundstage where he is being made up, and ends there.
Written as a screenplay and directed without a crew, a camera or a location, through a system built for the purpose.
I came up on the hacker ethic — the belief that you have a right to see how the machine works. For fifteen years I've turned that into film: surveillance, deception, and the hidden architecture of power. Now I build the tools that show the wires.
Juan Manuel Biaiñ works at the intersection of technology and power — as a filmmaker, and now as a builder.
He was drawn to computers young, by the hacker movement and its conviction that the workings of any system should be open to scrutiny. That conviction outlasted the day job: for over a decade he worked inside corporate IT, keeping the systems of oil, pharmaceutical and financial giants running — a decade spent watching, from the inside, how powerful institutions engineer what the public sees.
That is the subject he has pursued ever since. Across fifteen years and 70+ films — for the Bertha Foundation, VICE, Al Jazeera and others — his work exposes how reality is surveilled, manufactured, and sold: the machinery of persuasion, and the people who profit from it. Surveillance, propaganda, psyops, the manufacture of news. Article 12: Waking Up in a Surveillance Society (Bertha Foundation; nominated at Locarno) forced surveillance and digital rights into public debate. The same refusal to accept the surface runs through his work on hacking, deception and hidden power, and into his debut narrative feature, Anuk's Fix (Biotech).
That inquiry now turns on the tools themselves. Through Y-O-X, he builds technology for AI-generated narrative — and makes films that expose their own machinery even as they use it.
I work in film and in software now, around a single question: how reality gets made, surveilled, and sold — and who controls the machine.
Roles: Dir. / Prod. / Ed.
Bertha Foundation produced documentary nominated at Locarno International Film Festival on surveillance and digital rights.
A three-part documentary campaign for Amazon Prime exploring ethical hacking, surveillance, and digital intrusion through Mr. Robot's universe.
Roles: Dir. / Exec Prod. / Ed.
A live-action feature exploring the moral questions of biotechnology and human autonomy.
Roles: Prod. / Ed.
An unflinching Vice exploration into subcultures at the margins and clandestine economies.
A nocturnal portrait of the Dassanach tribe on Lake Turkana documenting a vanishing tradition.
An episodic investigation into deception, counterfeit empires, and identity fabrication.
Roles vary — selected directing, producing and editing credits. Full detail on IMDb.
Inquiries into digital rights, cyber infrastructure, intelligence, and the hidden architecture of tech power.
Investigating manufactured realities, media hoaxes, corporate greenwashing, and artificial prestige.
Exposing institutional corruption, state overreach, corporate exploitation, and economic violence.
Counter-narratives, youth movements, underground music, and global street phenomena.
"Waking up in a surveillance society — a catalyst for national discourse on digital rights, privacy, and civil liberties." — Dazed Digital
Email: hello@biain.com
For film enquiries, collaborations, and Y-O-X.
Locations: London / Buenos Aires / Remote